Image via Goodreads |
But Premee Mohamed’s philosophical and nuanced new book, which explores ideas of pacifism and to what degree citizens are responsible for the actions of their governments, is a novel that fits the zeitgeist. It is the right novel to read while contemplating the courage it takes for those with no political authority to speak out against state-sanctioned violence.
“I've said in more than one of my books that if you claim you’re not picking a side, you’ve just picked one: the side of the oppressor,” Mohamed says. “Those students are acting more nobly than anyone I can think of right now.”
The novel follows conscientious objector Aelfret, who has been imprisoned for refusing to take part in a war between his country of Varkal and the Empire of Med’ariz. After years of brutal treatment at the hands of his captors, he’s dragooned into an underhanded scheme to bring an end to the conflict. Having lost a leg during his capture, he’s confined to crutches and accompanied by wasps that tend to his wounds.
Along with a captor-soldier named Qhudur, Aelfret embarks on a journey across battlefields and conquered provinces to reach enemy territory on a secret mission. Throughout, Aelfret’s avowed pacifism is challenged and Qhudur is forced to confront the limits of his war-mongering ideology.
“I think it’s inevitable that no philosophy of any kind has ever had a completely ‘pure’ implementation of its ideals,” Mohamed says. “People are complicated, history is complicated, the physical world complicates things.”
This is Mohamed’s best book on almost every level. Her prose is elevated by subtle rhetorical twists, the world is engaging and distinctive, and Aelfret is likely her most memorable protagonist. While the crippled pacifist’s doubts, epistemological angst, and constant questioning of his own motivations can be occasionally frustrating, it also makes him relatable, believable, and an interesting foil to Qhudur, whose narrow worldview and military training have produced in him an implacable certitude.
“I didn't start off wanting to write a story about pacifism per se,” Mohamed explains. “I wanted to show Alefret (the main character) as someone still learning, still at the start of his educational arc, about pacifism, nonviolence, militarism, and his own relationship to those things based on his personality and history. If he had not been who he was, he would have been a very different pacifist.”
A government policy specialist with degrees in molecular biology and environmental sciences, Mohamed has become well-known as the author of science fiction and fantasy able to weave themes based on ecological challenges into her stories. The Siege of Burning Grass has some of these themes, but the book also revels in weirdness. This is a world in which war is fought with assault Pteranodons, talking birds are used as spies, and in which nurse wasps rend flesh in service of medical experiments.
In some ways, the book could be read as the exact mirror image of Starship Troopers. While many authors have written thinly veiled rebuttals of the controversial classic, they’ve usually been playing in the sandbox that Heinlein built; The Forever War, Old Man’s War, Ender’s Game may all critique Starship Troopers … but they’re still playing with the same toys. Mohamed has rejected the entire paradigm, and consequently is able to tackle the same subjects without being bound by the assumptions that underlie most military SFF. It’s worth remembering that Starship Troopers arrived at a time when Americans were just beginning to grapple with their country’s increasing military involvement in Vietnam, and many of the novels engaging with Heinlein’s classic were informed by campus protests.
The Siege of Burning Grass is a novel that matches its moment, and should inspire discussion, debate, and reflection about the moral responsibilities of citizens. Very few novels this ambitious succeed as fully. This book deserves your consideration for every award for which it is eligible.
Our reading club read this book in July and while readers agreed on strong prose, the ending many agreed was too abrupt and unbelievably weaker than the main story. Also, unlike your post, no one saw it as a mil-SF, for it is pacifist from the start
ReplyDelete