Every year there are more worthy works than could fit on any Hugo Awards ballot. There will therefore
always be works that are not included, no matter how great they may be. As our book club has done in previous years, some of us have selected the books, movies, and comic books they wish could have made this year's ballot.
(Image via Goodreads) |
always be works that are not included, no matter how great they may be. As our book club has done in previous years, some of us have selected the books, movies, and comic books they wish could have made this year's ballot.
(KB) Mexican Gothic by Silvia Moreno-Garcia
Set in the 1950s Mexican countryside, college-age Noémi navigates a tense and horrific situation that holds her cousin captive.
Evoking the same style of romantic gothic and speculative fiction horror in Mary Shelley’s Frankenstein, Moreno-Garcia’s carefully crafted novel ratchets the tension and addresses settler-colonialism, environmental racism, and sexism. Using a unique mechanic to bring the eco-gothic setting into the fantasy and science fiction genre, the novel was full of surprises beyond just the plot.
As a horror aficionado (and obviously a SFF fan), this book is an outstandingly creative entry for the speculative fiction subgenres. Moreno-Garcia, whose previous book Gods of Jade and Shadow earned her Nebula and Locus nominations, is an author to keep a closer eye on, and it’s a shame that Mexican Gothic didn’t make it onto Hugo readers’ radars.
Set in the 1950s Mexican countryside, college-age Noémi navigates a tense and horrific situation that holds her cousin captive.
Evoking the same style of romantic gothic and speculative fiction horror in Mary Shelley’s Frankenstein, Moreno-Garcia’s carefully crafted novel ratchets the tension and addresses settler-colonialism, environmental racism, and sexism. Using a unique mechanic to bring the eco-gothic setting into the fantasy and science fiction genre, the novel was full of surprises beyond just the plot.
As a horror aficionado (and obviously a SFF fan), this book is an outstandingly creative entry for the speculative fiction subgenres. Moreno-Garcia, whose previous book Gods of Jade and Shadow earned her Nebula and Locus nominations, is an author to keep a closer eye on, and it’s a shame that Mexican Gothic didn’t make it onto Hugo readers’ radars.
Not sure how this thoughtful, socially speculative and dystopian novel didn’t make it on the ballot. Anne Charnock gives us interesting and relatable characters that must move forward, both literally and figuratively, to survive in a world struggling with deep social and economic divisions.
Caleb and other point of view characters provide distinct interpretations of the same reality, revealing layers of social conditioning to the reader. But you don't need to care about social relations and labour issues to enjoy this book (even if you should). Despite backstories of despair, each character’s choices reveal an inherent and universal drive to survive without doing harm.
This is near-future climate change fiction at its best — gently disclosing the impact of current conditions and choices through sympathetic experiences and hope.
(MB) Repo Virtual by Corey J. White — Best Novel
Repo Virtual is a really great response to anyone that suggests cyberpunk is a finished genre. It takes aim at the giant internet companies dominating the world today and at the precarious labour that allows the world to function.
It’s a great little heist story that has hackers, a predatory pseudo-intellectual cult leader, a massive multiplayer online game all set in a frighteningly realistic near-future smart city.
The story is a smart critique of the world and the trajectory we’re on and White absolutely deserves an
award.
(OR) Jack Kirby: The Epic Life Of The King Of Comics by Tom Scioli — Best Related Work
One of the most visually distinctive artists of the golden age of comics, Jack Kirby helped create a plethora of characters who have gone on to be household names: Iron Man, Captain America, Black Panther, Nick Fury, and The Fantastic Four just to name a few. Elements of his art style echo throughout the Marvel Cinematic Universe. His contributions were often however overshadowed in the popular imagination by his more charismatic colleague Stan Lee. So a volume like “The Epic Life of The King of Comics” provides a welcome insight into who Kirby was, what influenced his genuinely progressive vision for comic books, and what his legacy might be.
Told as a linear chronological narrative, The Epic Life Of the King Of Comics follows Kirby’s service in World War 2, his confrontations and altercations with home-grown American racists, his ascent to the top of his profession, and his fight to claim ownership of his work. It is a story worth reading and understanding for fans of comics, fans of creator’s rights, and fans of the genre in general.
Rather than telling this story through a conventional biography, Tom Scioli offers us a beautifully drawn comic book in which the art carefully offers connotations of Kirby’s style. This artwork is notable for how Scioli helps us see Kirby the way that Kirby saw the world, though he avoids slavishly aping the master’s style.
This is truly one of the great works of comic book history.
(Image via Goodreads) |
(CF) The Unspoken Name by AK Larkwood
This fantasy novel follows the life of Csorwe from dedicated death god mouthpiece and sacrifice to assassin and spy and beyond.
Inspired by Le Guin’s Tombs of Atuan, AK Larkwood’s debut novel The Unspoken Name follows a young orcish death cultist for whom a vast new world becomes possible when she is saved from being a ritual sacrifice. Set on a quest for an artifact of incalculable power, she learns the world is more nuanced and complicated than she had been raised to believe.
Despite this being a debut novel, which earned Larkwood a spot on the ballot for the Astounding Award, this book has better balance of complex worldbuilding with character development than works by far more established authors. While some might complain that the plot isn’t particularly tight, that gives the characters more space to breathe and to grow.
One of the many facets of the book that made it stand out is how Larkwood engages with and subverts the prejudices baked into standard fantasy tropes. Orcs may have a different culture that doesn’t align with that of the dominant (white) majority, but in this narrative it is made clear that they are just as human.
It is great to see AK Larkwood on the ballot for the Astounding Award, but all the same I would have liked to have seen The Unspoken Name shortlisted for best novel.
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